American Grand Prize
Art of Driving







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Part 2

I was just as puzzled when Enzo Ferrari sent for me. Puzzled and timid, for Ferrari was a powerful experienced man of the world while I had only recently arrived in Europe/ I had no idea how to address the "sacred monster" of the motoring world when I was led into his office. I managed to say "Good morning" in Spanish and then stood there speechless, wondering why I was there and what to do next. Don Enzo, realizing my embarrassment, helped me out by smiling and shaking my hand. And to my utter amazement he - the greatest figure in world motor racing - actually congratulated me for what I had done at Reims. I was even more astounded when he suddenly asked me: "Would you like to sign a contract to drive for the Ferrari team?" I can feel even now the almost painful thumping of my heart. This just isn't true, I told myself.

Plainly Ferrari was aware that he had confused me for he continued by saying that the terms of my contract would be the same as those for Villoresi and Ascari, his official drivers. But this did not matter to me. I was hardly listening to the details. I think I was already holding a pen - ready to sign anything. I only wanted to race, to become part of the powerful Italian team which seemed to me like attaining the highest rung of the ladder. After a very short career in motor racing I had attained the equivalent of singing at La Scala, Milan.

Ferrari had the gift of instilling confidence in its drivers. Although I was still very inexperienced I arrived at Silverstone for the 1951 British Grand Prix feeling that I really belonged in the Scuderia Ferrari, feeling eager also to pit my car's power against the almost unbeatable Alfa Romeos - and my own skill against the world's greatest racing drivers. Silverstone was the meeting place for international statesmen, industrialists, and millionaires, all looking for excitement.